Hugo Cuellar was commisioned to create the first set of illustrations and animation short to accompany the release of the bottle of Fable Whisky.
Maps a go-go in this interesting sequence.
Nice title using shot material and very big close up animations of money and data.
Operation Dragoon (initially Operation Anvil) was the code name for the Allied invasion of Southern France on 15 August 1944.
Serafima motion study inspired by the upcoming Winter Olympics.
“The Godfather of Harlem main title is an homage to the contemporaneous collages created during 1960s Harlem by African-American artist, Romare Bearden (1911-1988).
Nice work on this passion project from AlterEgo, who felt pressed into making this by the lack of leadership in their country.
Very organic & abstract titles.
-Director’s cut version of the opening sequence Operation Infektion: a series uncovering the unknown history of disinformation. You’ll never watch the news the same way. nytimes.com/2018/11/12/opinion/russia-meddling-disinformation-fake-news-elections.html
Watch Dogs 2.0 | Cinematic – by MK12 for Ubisoft
“Rutger Bregman on Taxes” is personal project made in collaboration with Cypher.
Different animated clips and loops for Anxiety Empire magazine’s 2020 Kickstarter campaign.
Nice edgy promo from Daniel Romero.
Parallaxing or 2.5D taken to new levels by Alexey Terehoff.
Beautiful title graphics to the Netflix series The Spy set in the 60ies.
Certainly an homage to the famous apple commercial and starts really well.
Nice use of 3D stroke amongst other techniques to communicate this message.
Follow a 3D stroke as it draws on shapes and objects. Nice work from Buck.tv.
This is the tale of Nomex & Kevlar.
A great series of short animations about Meth addiction from Studio AKA.
2017 Motion Awards for News Graphics:
Studio AKA Director, Steve Small designed an array of notable characters, including our hero ‘Tone’ – who, although not yet fully developed – is encouraged to join in with the melody of his peers..
Let’s hear it for good journalism!
GE employee shares her story on her direct connection to the Apollo 11 mission.
The six-part CNN docuseries has a title sequence directed, designed and animated by David Penn.
An animated interpretation of Denice Frohman’s poem “Accents”
Some really nice edgy, quirky cutout animation here from Yellowlab
Sometimes you make a dot, and that dot takes small steps. And sometimes, you make a whole video featuring that dot – but you’re not really allowed to say who you made it for, or even what it’s about. You might not even be able to include the voiceover, or really anything for that matter — other than the animation and sound design.This may, or may not, be one of those times.
An exploration of the disparity and the difference that gender, regardless of party, can make.
Manages to look low-tech and true to the retro however lots of CGI used. The story of vinyl records, designed & produced by Imaginary Forces.
Secondary Progressive Multiple Sclerosis sucks! One mans journey with the disease echoes—”I’m still here.”
One in four women experience domestic violence in their lifetime, but bruises and broken bones are not the only signs. #ForewarnedIsForearmed creates a new language to get girls talking about what to look out for.
This is the third of 3 animation videos I’ve made for a web documentary that tells the story of 5 young Syrian refugees who risked it all for a chance to start over. Animated by Mira Ruido
A very powerful film from Moth on Teenage Suicide.
Explore a world of words old and new that have entered the dictionary over the years, in this animation made in celebration of Collins English Dictionary’s 13th edition release!
Lots of plexusy goodness in this techy, data driven animation for Prozone by Rich Hinchcliffe.
Great animation by Bullpen for Alcoholics Anonymous
This is a 2.30min commercial made for Audi and BBH. Celebrating their amazing dominance of Le Mans.
Minimal and abstract Op-Art patterns work together with large typography creating a dramatic result.
Dynamic and graphic splits of images to mix to live action.
Animation promoting Square’s new business debit card.
Opening titles for “CIVIL 80”, a documentary TV series about the Spanish civil war. Created by Antoni Sendra AKA PODENCO – a spanish freelance director specializing in mixed media driven projects.
Titles created by Niels Prayer
Character animation by Quentin Laville
Visuals & Music by Niels Prayer
A nice piece of motion graphics from Moving Colour detailing highlights from the life of Katherine Johnson realised in a quirky cutout style.
“The Mouse” by Slurpy Studios
An animation supporting the IICSA’s Truth Project.
by Voicing CSA with Slurpy Studios and Collage Arts
Story – Katie Steed and Phillip Lafferty, Animation – Fern Bailey, Animation Producer – Aaron Wood, Animation Director – Katie Steed, Produced by Chris Harper
A gambler, who is trapped in a life-threatening mindstate, confesses the dark story of his life on how much he lost by chasing his losses.
Written and Directed by Mantas Gr
Illustration and Animation: Mantas Gr
Music and Sound Design: Zing Audio
Audio Mastering: Dan Solovitz
Script Editor: James Nixon
Large headline type edges along US landscapes and GV’s from the show. Nice tracking and compositing job from Elastic.
Multiple recorded voices from AA meetings explored through hand-drawn animation.
Nicely shot and modelled and composited.
Yest another great title from Patrick Claire and his colleagues at Elastic for the Netflix TV series.
Black & white disruptive video effects from Elastic.
Earn the Fern by Assembly Studios.
A video for Scelido by Kyu Hwa Ki
Nice title using lots of type and texture from Elastic.
Design: Elastic, Design Director: Duncan Elms, Designers: Nadia Tzuo, Felix Soletic, Erika Bird, Luca Ionescu, Henry DeLeon, Animators: Jeffrey Jeong, Yongsub Song, Vincent Wang, EJ Kang, Peter Murphy, Steven Do, Hal Heah
Martin Scorsese was given centre stage with a retrospective at the Cinmathque in Paris and a tribute to his work at the Festival Lumire in Lyon.
For the occasion, Arte commissioned Cher Ami to create five interactive illustrated articles, for which nbl oversaw the artistic direction.
This video is part of a series of three pieces designed to raise awareness and engage with the audiences ahead of the WWI Centenary celebrations.
Client: MOD, Produced for BFBS TV (2016)
A excerpt from Midway: Plastic Island, a short documentary produced at CNN, designed and animated by Ignacio Osorio.
Some playful, characterful cutout animation from Blink my Brain.
Loved all the series and these titles & music are really great.
Direction: Paul McDonnell
Art Direction: Hugo Moss
Design and animation: Ben Hanbury and Tamsin McGee, Illustration: Nathan McKenna, Composer: John Lunn, Client: Carnival
Designed and animated by Tynesha Foreman from an interview with Coates about his article in The Atlantic where he cites Gallup research to explain how tribalism and white supremacy paved the way for Trump.
Client: The Atlantic
Director/animator: Tynesha Foreman
Producer: Nicholas Pollock
Production Mangager Brian Jimenez
Senior producer: Ashley Bloom Kenny
Executive producer: Kasia Ceiplak-Mayr von Baldegg
Great title sequence from “The Drawing Room” apparently about the U.S. government’s systematic persecution of gay and lesbian State Department employees during the Cold War.
Lively animation from Laundry, using black and white photographic collage elements, with overlaid colours and annotations.
Your rights in the US using the 4th & 5th Amendment. Produced and Directed by: Dress Code. Lead Animator: Wes Ebelhar
First-time directors James Allen and Mike Skrgatic at East Londons Time Based Arts combine a full compliment of their studios VFX, animation, and illustration talents into this spectacular 90-second opus for Honda thru Wieden+Kennedy.
Split screen of graphics and imagery to convey the message.
Colourful and dynamic motion graphics by Donghyun Lee.
Very cute animated film using lots of different techniques & styles. A thought experiment in ethics. Vid for TED Ed & DIRECTED BY Eoin Duffy
TV Graphics from Troika, branding specialists.
Paper cutouts, hand-drawn animation and 3D boxes all in a stop-frame slower frame rate, combine seamlessly for this black and white promotion for 50 years of Vans shoes.
A very simple and elegant painterly end sequence from Blur Studio.
South Wales is getting a new metro system and Bomper studio have animated it’s proposed route through a white minimalist environment. Nice subtle animations and smooth camera moves make a technical subject a visually pleasing watch.
Dave Penn directed this animation (along with Jellyfish and Sixfingers) for a six-part CNN documentary series concerned with what went on behind the scenes during key presidential campaigns in U.S. history. Sponge paint mattes provide nice transitions for cleverly laid out photographs.
Analytical, diagrammatic video in a 3D space by Jonathan Kim. Blueprints, lines and tech overlays provide a hi-res feel for this square installation.
Painted transitions and frames create artistic transitions for Underground, the new WGN America series. Done by Imaginary Forces.
One of a series of promos for Ultimate Fighter on Fox using rapid editing and splashes of hand-drawn type and scratched elements. By State Design.
This title gets us up to speed quickly with the recent history of Ukriane, well at least how the story goes in the West. It’s another excellent piece of work from Patrick Claire
Rushes create intricate detailed UI graphics for Bond’s computer in Spectre.
Lifting text pealing away from a newspaper to form the logo of the Arab current affairs show.
Opening Title sequence of HBOs Documentary; MANHUNT. The show documented the two decade hunt for Osama Bin Laden. Lots of documents and ink bleeds.
Creative Directed & Designed by Manija Emran.
Produced by The Mill+
Lots of layers of political and social upheaval over the centuries are organised through what looks like a burning paper effect for the titles and graphics for director Greg Barker’s documentary, We Are The Giant, a Passion Pictures & Motto Pictures Production.
Creative Directed & Designed by Manija Emran. Produced by Mill Plus themillplus.com
Mill+ co-director Ben Smith and co-director Bryce Wymer teamed up with Netflix to create the title sequence for Marco Polo and most appears to be achieved on camera but with a lot of planning.
Little clip with nice character design and animation by Persistent Peril
Simple idea of diagrams on paper done very well in true Imaginary Forces style, similar in fashion to their popular Rubicon title.
Nice geometrical 2D animation by Erica Rotberg
More excellent motion graphics from Antibody. Directed by Patrick Claire