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The design and production talents of London motion studio weareseventeen are on full display in their latest work for Swiss watch brand Tissot, a tightly edited ode to the catalytic powers of time-induced pressure. This is not the promo however but rather the graphics reel pooling together some of the design ideas.
Crinimo Studio creates this collage work for Shirley, the Netflix drama about pioneering congresswoman Shirley Chisholm and her 1972 run for president of the United States.
Studio AKA were invited to create four sequences, totaling nine minutes of animation, as well as the main titles for this live-action drama.
Superb animation based on the Chinese Lantern theatre performances which date back many centuries.
Credits:
Director: Ben Hibon
VFX & Animation: Framestore London
Producers: David Heyman, David Baron
Bling Pig used TVPaint, After Effects, Photoshop and Cinema4D to craft this story which relies on ageless animation skills. Creative Lead: Christine Peters
Continuing their collaboration with Swiss cycling apparel makers ASSOS, director David Farquharson and the crew at Bolder in Brighton once again weave together CG and live-action into a sleek and riveting film for the brand’s racing gear.
Paris-based director/concept designer/CG artist Mehdi Hadi unleashes his deep passion for the universe of automotive racing in this glitchy, hyper-detailed merger of 3D and motion design.
A form of outdoor relief intended to mitigate rural poverty in England and Wales at the end of the 18th century and during the early 19th century.
Filipe Carvalho teams with Untold Studios to set a gritty/ominous tone for Paramount’s spy thriller “Special Ops: Lioness”.
New York marquees made in bold hand-written type embrace the spirit of the gritty punk rock zine culture while we referenced street flyers of the Lower East Side
The historical TV-Show miniseries “Bonn – Alte Freunde neue Feinde” is a six-part political thriller based on true events during the tense Cold War
BOL were approached to produce and advert to reflect Sojasun’s eco brand values, highlighting the unique story behind its renowned soy product.
Agitated, rough charcoal strokes reveal pieces of the image, whether it is something based in reality or one of his dreamy visions.
The story is about a group of former Nazi concentration camp prisoners who are dedicated to persecuting and bringing to justice those responsible, many of whom take refuge in Franco’s Spain.
From Monografo
Title sequence developed for a documentary that explores the confrontation between a young, affluent student and a Native American elder on the steps of the Lincoln Memorial.
Gradient backgrounds with flowing American motifs, VICE News’ Election Show used a solid color scheme with blockier outlining.
Heavily inspired by Ansel Adams, Andrew Wythe, and William Kentridge, it is as rich in allegory as it is bold in tone and texture.
A vintage, cinematic, sports-oriented feel that captured the magnitude and scope of basketball’s most powerful story.
Love stories that were kept in the closet for a long time reflecting the history, legislation and norms of the time.
Ripped paper and uncrumpled photos provide some hints at the history and text involved in these tales of black America.
The horrific results of a few minutes of mayhem at a US school provides the key for this film calling for gun reform.
A brief meeting after many years undermines a father’s world and renders his words meaningless.
Strange experiences and realizations lead a grieving artist to reconsider his identity and beliefs in this meditation on loss, family and mental illness.
Hugo Cuellar was commisioned to create the first set of illustrations and animation short to accompany the release of the bottle of Fable Whisky.
NYC studio Bigstar teams with writer/director Robe Imbriano (ABC’s Soul of a Nation) to address the history of white supremacy and how “passive racism perpetuated via white fatigue is the biggest challenge in the fight against racism today.”
Nice title using shot material and very big close up animations of money and data.
Operation Dragoon (initially Operation Anvil) was the code name for the Allied invasion of Southern France on 15 August 1944.
“The Godfather of Harlem main title is an homage to the contemporaneous collages created during 1960s Harlem by African-American artist, Romare Bearden (1911-1988).
Great bit of motion work with rotoscoped live action and gritty textures. Feels very contemporary. By Roger.tv
This is a biopic about the 80-year-old US representative and civil rights icon with titles by Elastic.
Nice work on this passion project from AlterEgo, who felt pressed into making this by the lack of leadership in their country.
interviews from current inmates discussing their frightening real experiences living through the outbreak, recounting the lack of social distancing measures and other necessities like masks, sanitizers and more.
-Director’s cut version of the opening sequence Operation Infektion: a series uncovering the unknown history of disinformation. You’ll never watch the news the same way. nytimes.com/2018/11/12/opinion/russia-meddling-disinformation-fake-news-elections.html
“Rutger Bregman on Taxes” is personal project made in collaboration with Cypher.
Different animated clips and loops for Anxiety Empire magazine’s 2020 Kickstarter campaign.
Follow a 3D stroke as it draws on shapes and objects. Nice work from Buck.tv.
This is the tale of Nomex & Kevlar.
Studio AKA Director, Steve Small designed an array of notable characters, including our hero ‘Tone’ – who, although not yet fully developed – is encouraged to join in with the melody of his peers..
GE employee shares her story on her direct connection to the Apollo 11 mission.
The six-part CNN docuseries has a title sequence directed, designed and animated by David Penn.
Some really nice edgy, quirky cutout animation here from Yellowlab
Sometimes you make a dot, and that dot takes small steps. And sometimes, you make a whole video featuring that dot – but you’re not really allowed to say who you made it for, or even what it’s about. You might not even be able to include the voiceover, or really anything for that matter — other than the animation and sound design.This may, or may not, be one of those times.
An exploration of the disparity and the difference that gender, regardless of party, can make.
Manages to look low-tech and true to the retro however lots of CGI used. The story of vinyl records, designed & produced by Imaginary Forces.
Secondary Progressive Multiple Sclerosis sucks! One mans journey with the disease echoes—”I’m still here.”
One in four women experience domestic violence in their lifetime, but bruises and broken bones are not the only signs. #ForewarnedIsForearmed creates a new language to get girls talking about what to look out for.
This is the third of 3 animation videos I’ve made for a web documentary that tells the story of 5 young Syrian refugees who risked it all for a chance to start over. Animated by Mira Ruido
Explore a world of words old and new that have entered the dictionary over the years, in this animation made in celebration of Collins English Dictionary’s 13th edition release!
Lots of plexusy goodness in this techy, data driven animation for Prozone by Rich Hinchcliffe.
This is a 2.30min commercial made for Audi and BBH. Celebrating their amazing dominance of Le Mans.
Minimal and abstract Op-Art patterns work together with large typography creating a dramatic result.
Opening titles for “CIVIL 80”, a documentary TV series about the Spanish civil war. Created by Antoni Sendra AKA PODENCO – a spanish freelance director specializing in mixed media driven projects.
Titles created by Niels Prayer
Character animation by Quentin Laville
Visuals & Music by Niels Prayer
A nice piece of motion graphics from Moving Colour detailing highlights from the life of Katherine Johnson realised in a quirky cutout style.
“The Mouse” by Slurpy Studios
An animation supporting the IICSA’s Truth Project.
by Voicing CSA with Slurpy Studios and Collage Arts
Story – Katie Steed and Phillip Lafferty, Animation – Fern Bailey, Animation Producer – Aaron Wood, Animation Director – Katie Steed, Produced by Chris Harper
A gambler, who is trapped in a life-threatening mindstate, confesses the dark story of his life on how much he lost by chasing his losses.
Written and Directed by Mantas Gr
Illustration and Animation: Mantas Gr
Music and Sound Design: Zing Audio
Audio Mastering: Dan Solovitz
Script Editor: James Nixon
Large headline type edges along US landscapes and GV’s from the show. Nice tracking and compositing job from Elastic.
A metaphorical tale of a new planet discovered that perhaps shows us how we can treat our own inhabitants.
Multiple recorded voices from AA meetings explored through hand-drawn animation.
By Buck
Yest another great title from Patrick Claire and his colleagues at Elastic for the Netflix TV series.
Nice title using lots of type and texture from Elastic.
Design: Elastic, Design Director: Duncan Elms, Designers: Nadia Tzuo, Felix Soletic, Erika Bird, Luca Ionescu, Henry DeLeon, Animators: Jeffrey Jeong, Yongsub Song, Vincent Wang, EJ Kang, Peter Murphy, Steven Do, Hal Heah
Martin Scorsese was given centre stage with a retrospective at the Cinmathque in Paris and a tribute to his work at the Festival Lumire in Lyon.
For the occasion, Arte commissioned Cher Ami to create five interactive illustrated articles, for which nbl oversaw the artistic direction.
This video is part of a series of three pieces designed to raise awareness and engage with the audiences ahead of the WWI Centenary celebrations.
Client: MOD, Produced for BFBS TV (2016)
A excerpt from Midway: Plastic Island, a short documentary produced at CNN, designed and animated by Ignacio Osorio.
Some playful, characterful cutout animation from Blink my Brain.
Loved all the series and these titles & music are really great.
Direction: Paul McDonnell
Art Direction: Hugo Moss
Design and animation: Ben Hanbury and Tamsin McGee, Illustration: Nathan McKenna, Composer: John Lunn, Client: Carnival
Designed and animated by Tynesha Foreman from an interview with Coates about his article in The Atlantic where he cites Gallup research to explain how tribalism and white supremacy paved the way for Trump.
Client: The Atlantic
Director/animator: Tynesha Foreman
Producer: Nicholas Pollock
Production Mangager Brian Jimenez
Senior producer: Ashley Bloom Kenny
Executive producer: Kasia Ceiplak-Mayr von Baldegg
Great title sequence from “The Drawing Room” apparently about the U.S. government’s systematic persecution of gay and lesbian State Department employees during the Cold War.
Lively animation from Laundry, using black and white photographic collage elements, with overlaid colours and annotations.
Your rights in the US using the 4th & 5th Amendment. Produced and Directed by: Dress Code. Lead Animator: Wes Ebelhar
First-time directors James Allen and Mike Skrgatic at East Londons Time Based Arts combine a full compliment of their studios VFX, animation, and illustration talents into this spectacular 90-second opus for Honda thru Wieden+Kennedy.
