These documents have been treated in a 3D program to suggest they have been shot with short depth of field and textured and graded to give that warm elegantly lit appearance.
Slick use of simple 3D use lights and heavy reflections to creative colourful graphic visuals.
Titles incoporating archive stills by placing them against a plane of breaking glass. Not for the very squeamish…
Tests using the Visible Human Project data – see original video here. And creating a 3D model with the CAT scan.
Title animation using purely motion graphics and clever transitions with a small colour pallete to great effect. Lots of documents.
Mapping Test, creating a 3D model of Mr. Churchill and wrapping his image around it, to create an extreme parallaxed dimension on to an ordinary archive still.
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Some serious time-freeze action going on here. My guess is a mixture of parallax, 3D mapping, plenty of wire and mannequins. (..too many people in masks..)
I guess these guys got in before airmiles added their fees & taxes. Great little sequence which must have been months in the planning.
What appears to be a great piece of motion capture was actually created using stills which were then applied to 3D models of human heads to create the idea of cameras moving around frozen action.
A study in high speed photography or clever morphing of stills using twixter plugin for After Effects.
This is just a great, heart warming advert combining kids drawings by means of camera tracking and clever compositing.
Test into a simple pen line which can then be rotated into three dimensions.
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Just lovely simple advert with actor, one camera and the sunlight. Like the brashness of the jump cuts.
Animation morphing CG oil to create shapes and settings for animation and archive footage.
Sculpted steel tubes shape the car body and details as the 3D camera traverses through the space.
Playful surreal advert using 3D to follow a family’s journey through the sky and into the building of car.
Cinema 4D CGI test into global illumination. Lighting the shapes from within to create colour and light within the composition.
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Car Commercial using pencil sketching mapped on to a 3D service to create a graphical feel and advertise craftmanship
Tracking data graphics over satellite imagery to get a sci-fi technological feel.
Animated pitch using a form of parallaxing to create an extreme slow-motion effect of a horse mid-jump.
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CGI animation documenting the creation of the earth in a scientific way, yet narratively based around religion.
Discovery channel ident using 3D composited over blue-print backgrounds to create a diagramatic data look.
Advert using film frames and alot of 3D to create a fast-paced adventure through their TV programming.
Live action is tracked in certain points, and medical 3D animation is overlayed to look like X-Rays.
Commericial using trapcodes (I think) to create medical style 3D animations for Momentum Health.
A nicely designed graphic presentation using a mixture of flat shaded 3D and 2D animation.
Inventive use of overlaying an animation of stiched together Google maps images.
Technical graphics and kaleidoscopic animation provide a data heavy car commercial.
Gent Scheppende Stad (Ghent Creative City) is an initiative of the city council of Ghent to (together with several creative forces/different sectors of society) look for solutions for the urban challenges, so they can shape the future of Ghent together.
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Cartoon Network ident using retro stylings and parallax manipulation of photographs.
By mapping a painting in extremely high photographic detail, stitching the images and using a proxy-morphing technique, we were able to create incredibly large zooms to square centimetre sections, all in HD for Renaissance Remastered on BBC2.
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Static titles using close-ups of paper and documents with subtle animation to create a coded typographical sequence.
Old diagrams are animated in 2D and 3D to create a vintage looking title sequence with a graphic feel.
This sequence block shades the live action and adds it together with animation to create a very bold graphicly styled sequence.
Graphical sequence using buzzing numbers to convey telephone hacking and voicemail decoding for Channel 4’s Dispatches.
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Film title sequence using flat colouring with subtle 3D to create a retro graphic feel
Classic title sequence using live action footage placed carefully with credit typography
Beautiful camera work, interesting fashion and left-field additions to the landscape.
Montage of our Timewatch special using canvases decorated with photos and memorabilia to create rostrum style moves matching the narrative.
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You have a massive archive and a story to tell – this is one way to do it.
Link to this here.
Presenting an exhibition in an exciting way, this Flash website brings life to old manuscripts.
Link to this website here.
Inspiration log, link-dump, moodboard resource, interweb thingy…
Visit Stefan’s site here.
Illustrator Eduardo Recife’s commercial works, a collage feast for the eyes.
Click here to see more.
Titles for Robin hood mixing traditional painterly techniques with a modern twist.
End credits rotoscoping frames in a hand-drawn ink style over video footage.
Promotional video using extreme close-ups and camera angles with VFX to produce an moving journey through music.
Medical CGI sequences explaining the effects on drugs within the body.
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Classic Title sequence for True Blood. Using a mixture of archive and shot footage with a edgy heavily graded look. Thanks, Bolex.
A complex mixing of styles and worth a view for the design if not the message. Watch on motiongraphics.
Series of quick and simple videos using cut out animation on a plain background to convey a message by Digital Kitchen.
Superb use of the pop up book to animate this tale.
Directed by Psyop.
Titles for american sitcom using text from a book to animate the characters and type throughout.
Text and animation added together to form the speech without any photos or footage.
Colourful mix of live action and flat shaded 3D animation in a faux-educational style.
Programme graphics using parallaxing techniques to add movement to stills.
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Channel 4 promo using Google Street View as a basis for inserting video into a static street scene.
Clever and subtle use of repeated computer animation in to synchronise to a rhythm.
WWF advert using CGI rope to create shapes and figures, showing how everything is simply connected.
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We are most proud of managing to create an absorbing sequence which lasted well over a minute of tv time using just one photograph.
Animation displaying only typography, using a 3D camera move to scroll over a large canvas of text.
3D scan through the length of a Human Body, compiling photographs to create an animation.
Pitched idea, coming from a reflective idea, emitting the images of sport off the dark black emerging cubes. By placing the sports footage in different 3D spaces the images reflected and combined on different surfaces.
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http://td-sketchpad.com/wp-content/uploads/2011/09/FalklandBattlefields.mov
The Snows carry around their portfolio of battlefields together with some clever camera tracking and CGI work and a bit of ad libing and some hand waving.