Paper cutouts, hand-drawn animation and 3D boxes all in a stop-frame slower frame rate, combine seamlessly for this black and white promotion for 50 years of Vans shoes.
Apple launches their iPhone 7 and new watch with a short 107 second summary of their conference in this video. It’s as simplistic as you’d expect from an Apple video, but always done very well. You can find out more about it’s cleverness here.
Great animation and great story about the rise to fame of Garratt. BBC Music commissioned ‘Contra‘ to tell the tale.
Beautifully crafted title sequence by Beijing visual designer Zaoeyo (aka Xiaolin Zeng, aka Mike Zeng) detailing insects constructed with glassy, organic materials.
South Wales is getting a new metro system and Bomper studio have animated it’s proposed route through a white minimalist environment. Nice subtle animations and smooth camera moves make a technical subject a visually pleasing watch.
Not so keen on the CGI steam-punk book opening, but the photo manipulation using a camera mapping technique on 3D surfaces by Alexey Zakharov is interesting. More of a breakdown can be found on his behance page here.
Dave Penn directed this animation (along with Jellyfish and Sixfingers) for a six-part CNN documentary series concerned with what went on behind the scenes during key presidential campaigns in U.S. history. Sponge paint mattes provide nice transitions for cleverly laid out photographs.
Excellent promo for Nike by ECD Jonathan Notaro and the Brand New School. It mixes drawn animation with CG elements to produce this gritty animation with a limited colour palette.
Analytical, diagrammatic video in a 3D space by Jonathan Kim. Blueprints, lines and tech overlays provide a hi-res feel for this square installation.
Painted transitions and frames create artistic transitions for Underground, the new WGN America series. Done by Imaginary Forces.
One of a series of promos for Ultimate Fighter on Fox using rapid editing and splashes of hand-drawn type and scratched elements. By State Design.
Animated by Daniel Bruson repainting every frame in watercolour and then compositing it digitally. The Animation Breakdown on vimeo illustrates his process. Deep, rich and heavily textured.
This title gets us up to speed quickly with the recent history of Ukriane, well at least how the story goes in the West. It’s another excellent piece of work from Patrick Claire
Artistic brush strokes combined with precision lines give an impressive creative feel to this car advert. Made by Block and Tackle with a good “how it was done” interview on Motionographer.
Lifting text pealing away from a newspaper to form the logo of the Arab current affairs show.
Cyril Calgaro animates another infographic of sorts with a very simple structure. Similar to the apple film Designed in Apple by California the film uses dots and lines animated in a physical way along with a serif font to create a simple but stylish film.
Opening Title sequence of HBOs Documentary; MANHUNT. The show documented the two decade hunt for Osama Bin Laden. Lots of documents and ink bleeds.
Creative Directed & Designed by Manija Emran.
Produced by The Mill+
Lots of layers of political and social upheaval over the centuries are organised through what looks like a burning paper effect for the titles and graphics for director Greg Barker’s documentary, We Are The Giant, a Passion Pictures & Motto Pictures Production.
Creative Directed & Designed by Manija Emran. Produced by Mill Plus themillplus.com
Mill+ co-director Ben Smith and co-director Bryce Wymer teamed up with Netflix to create the title sequence for Marco Polo and most appears to be achieved on camera but with a lot of planning.
More excellent motion graphics from Antibody. Directed by Patrick Claire
Textured and strongly lit animation bring a certain eastern european feel to this animation by Martin Zivocky.
Hand drawn simple animation, with ink and paper depict a cut-down TED talk, by Moth Collective.
Yes slavery is still with us in some parts and this film questions our role in that trade. From Daniel Stewart working with Epipheo studios and Kasey Lum.
Charles de Lauzirika’s psychological noir is the subject of this end sequence where wind-driven, humanoid whirligigs are torn apart and re-purposed into disturbing wooden mechanisms.
NOTE: Sorry we are unable to embed the sequence. Please click on this link.
Beautiful abstract film celebrating the OFFF festival of design, photography and motion
An info-graphic film but holds very little statistics in terms of text and numbers, mostly relying on transition graphic imagery to convey the details.
Simple, in style and colour animation but with clever technicalities and expertly executed.
Telling the story of a Toyota, the “open book” idea is used again, but with ink and more of a travel guide. The apply a variety of techniques on a standard theme as the video progresses.
This is an amazing piece of work. The camera movement, depth of field, modelling and explosions work really well.
A test by us to showing parallaxing a an old photograph celebrating the queens jubilee in Bethnal Green. The photo is split into layers, digitally repainted and then placed into a frame with a 3D virtual camera.
[flowplayer src=’http://trainordaviesdesign.com/wp-content/uploads/2012/06/RunningGirlsTestFramedsmall1.mp4′ width=485 height=272 splash=’http://trainordaviesdesign.com/wp-content/uploads/2012/06/Screen-shot-2012-06-06-at-16.07.56.png’]
Very good use of presenter in a studio cut with very stylised graphics. Design & Animation: Oz Smith
Creative Director: Greg Millar for BBC sport.
Winner of the best use of displacement map/compound blur ever – Micaël Reynaud, with portraits by Michael Jang. Stay with it, kids.
3D animation matted on to a flat black texture to give a 2D imprinted look Continue Reading →
Conceptual trailer for female missionary who left American Civil war ravaged Virginia for China. Well crafted trailer.
Titles incoporating archive stills by placing them against a plane of breaking glass. Not for the very squeamish…
Mapping Test, creating a 3D model of Mr. Churchill and wrapping his image around it, to create an extreme parallaxed dimension on to an ordinary archive still.
[flowplayer src=’http://td-sketchpad.com/wp-content/uploads/2011/09/randolph.mp4′ width=660 height=371 splash=’http://td-sketchpad.com/wp-content/uploads/2011/09/RandolphTD.jpg’]
Test into a simple pen line which can then be rotated into three dimensions.
[flowplayer src=’http://td-sketchpad.com/wp-content/uploads/2011/09/3D-Drawing_iPod_Lg.mp4′ width=660 height=371 splash=’http://td-sketchpad.com/wp-content/uploads/2011/09/drawn-in-space.png’]
We’ve experimenting with techniques to bleed through images, either from one to another to fade in an image, giving it a natural, organic introduction.
[flowplayer src=’http://trainordaviesdesign.com/wp-content/uploads/2012/06/pds.mp4′ width=485 height=272 splash=’http://trainordaviesdesign.com/wp-content/gallery/pcds/pcds6.jpg’]
Sculpted steel tubes shape the car body and details as the 3D camera traverses through the space.
Car Commercial using pencil sketching mapped on to a 3D service to create a graphical feel and advertise craftmanship
Very simple move on stills, replicating a rostrum move, but we’ve added a more complex 3D virtual camera, a tighter depth of field, a table setting with lighting and a glossy reflection to the photographs.
[flowplayer src=’http://trainordaviesdesign.com/wp-content/uploads/2012/08/Photo12-14.mp4′ width=485 height=272 splash=’http://trainordaviesdesign.com/wp-content/uploads/2012/08/Screen-shot-2012-08-16-at-12.19.25.png’]
Static titles using close-ups of paper and documents with subtle animation to create a coded typographical sequence.
Old diagrams are animated in 2D and 3D to create a vintage looking title sequence with a graphic feel.
You have a massive archive and a story to tell – this is one way to do it.
Link to this here.
Illustrator Eduardo Recife’s commercial works, a collage feast for the eyes.
Click here to see more.
End credits rotoscoping frames in a hand-drawn ink style over video footage.
Titles for american sitcom using text from a book to animate the characters and type throughout.
Text and animation added together to form the speech without any photos or footage.
[flowplayer src=’http://trainordavies.com/sketchpad/video/edwardianSuffragette2.mp4′ width=660 height=371 splash=’http://td-sketchpad.com/wp-content/uploads/2011/09/suffragette.jpg’]
We are most proud of managing to create an absorbing sequence which lasted well over a minute of tv time using just one photograph.
Animation displaying only typography, using a 3D camera move to scroll over a large canvas of text.
Pitched idea, coming from a reflective idea, emitting the images of sport off the dark black emerging cubes. By placing the sports footage in different 3D spaces the images reflected and combined on different surfaces.
[flowplayer src=’http://trainordavies.com/sketchpad/video/unknownWarrior.mp4′ width=660 height=371 splash=’http://td-sketchpad.com/wp-content/uploads/2011/09/warrior.jpg’]
A very rough & ready ‘parallax sequence’ sequence mainly due to the fact that as this promo was not transmitted, the small source images came from ‘google’ but still it proves quite poignant.
Music video combining a mixture of live action features, tracking human features on to crows.